Charles Gaines: Gridwork 1974 – 1989

July 17 - October 26, 2014 | The Studio Museum in Harlem, New York

Charles Gaines: Gridwork 1974–1989 is the first museum survey of Los Angeles–based conceptual artist Charles Gaines's early work. The exhibition features seventy-five works from the beginning of a singular career that now spans four decades.

Highly regarded as both a leading practitioner of conceptualism and an influential educator at the California Institute of the Arts (CalArts), Charles Gaines is celebrated primarily for his photographs, drawings and works on paper that investigate systems, cognition and language. His early experiments examined the roles that systems and rule-based procedures play in the construction of forms, objects and meaning. Charles Gaines: Gridwork 1974–1989 traces Gaines’s career, from his groundbreaking work in the 1970s—some of which debuted in exhibitions at famed New York galleries Leo Castelli and John Weber—to his investigations of subjectivity in the late 1980s. Exploring the ways in which Gaines’s early works on paper can be viewed as a crucial bridge between the first generation conceptualists of the 1960s and 1970s and the conceptually-based practices of artists who emerged in the ensuing decades, the exhibition includes rare and never-before-seen works, some of which were presumed lost.

Considered against the backdrop of the Black Arts Movement of the 1970s and the rise of multiculturalism in the 1980s, the works in Charles Gaines: Gridwork 1974–1989 are radical gestures. Eschewing overt discussion of race, they take a detached approach to identity that exemplifies Gaines’s determination transcend the conversations of his time and create new paths in artistic innovation.

Charles Gaines: Gridwork 1974–1989 was organized by Naima J. Keith, Assistant Curator.

Charles Gaines: Gridwork 1974 - 1989 traveled to the Hammer Museum in Los Angeles, CA spring 2015 (February 7 - May 24, 2014). The exhibition was nominated in 2014 for a "Best Monographic Museum Show in New York" award by the International Association of Art Critics (AICA-USA).

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